Compensating for last week, here we are with a double feature and an almost contradictory message. It is Ghost World (2001, Terry Zwigoff) vs. The Help (2011, Tate Taylor).
Both might result triggering and problematic (nerdiness, cruelty, whiteness, self-righteousness are all featured) but this is not why we are bringing them up. We are bringing these two together because there you have the forever dilemma - especially felt by women in certain situations but universal still - between fitting in and daring to be different.
And those two movies are antithesis to each other: while The Help is exploring the impulses that makes one to step out and stand her ground about one's core beliefs, although it may imply social sanctions, Ghost World introduces you to Enid and Rebecca who, having spent years curating their weirdness and marginalization in the realms of formal education, are negotiating a re-entering into the world of normal.
The morals is the following: trying to find strength to be as authentic as you wish and courage to change if you feel that the previous you is somehow outdated and needs an update. Transformation is human. It's really OK. As is questioning, searching, and not really knowing.